Playing outside II: Ionian Alternatives
Playing outside I: Dorian Alternatives part IV
Using the Modal Method to compose classical music
Playing Outside I: Dorian Alternatives part three
The case for A = 432 Hz
Analysing Bach's Sinfonia No. 9 using the Modal Method.
Playing Outside I: Dorian Alternatives part two
Written by Mrs Bach: a review
Playing outside I: Dorian Alternatives part one
Improvisation on the classical guitar II: The Invention
Improvisation on the classical guitar: Step 1 Know the whole neck
Improvisation and the classical guitar
Taking the Melodic plunge
Using the Neapolitan Major and Neapolitan Major b5 scales when improvising
Scales that change in the second octave.
Mode VII: Altered v Locrian
Everything you wanted to know about the Augmented triad part III: Mixing it up
Everything you wanted to know about the augmented chord but were afraid to ask: Part II - Forget the triad
Everything you wanted to know about the Augmented chord but were afraid to ask: Part I
Analysis of the Sarabande from Bach's Lute Suite III BWV 995