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Playing Outside I: Dorian Alternatives part two
In part one I covered good modal substitutes for the Dorian mode. Just in case some of you misunderstand, I do not mean the Dorian...
rbedwell3
Mar 31, 20242 min read
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Written by Mrs Bach: a review
For those of you who are unaware, in 2011 Martin Jarvis, associate professor of music at Charles Darwin university and artistic director...
rbedwell3
Mar 31, 20242 min read
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Playing outside I: Dorian Alternatives part one
As many of you know, the Dorian mode is played over a minor chord, or a bass note and contains the fundamental characteristic of a Major...
rbedwell3
Mar 31, 20242 min read
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Improvisation on the classical guitar II: The Invention
Clearly, a lot of guitarists are interested in the subject of improvising with the goal of composing in mind, judging by the amount of...
rbedwell3
Mar 31, 20243 min read
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Improvisation on the classical guitar: Step 1 Know the whole neck
After receiving confirmation that their are many of you out there that would like to know more about improvisation for composition on the...
rbedwell3
Mar 31, 20243 min read
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Improvisation and the classical guitar
Right, here goes. This is a subject that is rarely covered. Improvisation. Why improvise? It improves mental dexterity, forms neural...
rbedwell3
Mar 31, 20243 min read
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Taking the Melodic plunge
I know many of you are familiar with the Melodic minor scale, henceforth referred to as Melodic, but for those that aren't yet, this is...
rbedwell3
Mar 31, 20242 min read
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Using the Neapolitan Major and Neapolitan Major b5 scales when improvising
The two scales mentioned are great to use when improvising in a Major or minor key. For those of you who have the Modal Method book, the...
rbedwell3
Mar 31, 20241 min read
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Scales that change in the second octave.
I came across a reference in a blog I was reading about a musician that was using scales that didn't resolve until the second or even...
rbedwell3
Mar 31, 20242 min read
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Mode VII: Altered v Locrian
Recently, someone commented on a post I made, saying that my mention of a b4 was the first they had ever heard of such a thing. That got...
rbedwell3
Mar 31, 20241 min read
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Everything you wanted to know about the Augmented triad part III: Mixing it up
Warning: This post is not for beginners. Reading this post without adequate theoretical preparation may induce nausea, panic attacks or...
rbedwell3
Mar 31, 20242 min read
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Everything you wanted to know about the augmented chord but were afraid to ask: Part II - Forget the triad
As mentioned towards the end of my previous post on the augmented chord, the notes that fall outside of the augmented triad are the ones...
rbedwell3
Mar 30, 20242 min read
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Everything you wanted to know about the Augmented chord but were afraid to ask: Part I
As I was specifically asked to write a post on the use of augmented chords by a perplexed music theorist I though I would start with the...
rbedwell3
Mar 30, 20242 min read
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Analysis of the Sarabande from Bach's Lute Suite III BWV 995
I have been asked for an analysis of this movement from the Lute Suite (transcribed from a cello suite) as it has an enigmatic feel to...
rbedwell3
Mar 30, 20242 min read
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Return of the Neapolitan minor III: Followed by the Persian scale
After the Neapolitan minor is introduced into a Major key, it is followed by the Persian scale (1 b2 3 4 b5 b6 7) which is a really...
rbedwell3
Mar 30, 20241 min read
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Return of the Neapolitan minor II
As mentioned in the first post in this series, the most common use for Neapolitan minor, at least in Bach's WTC I, follows the Hungarian...
rbedwell3
Mar 30, 20241 min read
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Return of the Neapolitan minor I: Bach's use of N. minor and why we should use it too.
The Neapolitan minor is really useful but sadly neglected. In the book The Modal Method, I explain why it should be studied after Major...
rbedwell3
Mar 30, 20242 min read
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Introducing the Harmonic Major III: before Harmonic minor
Following on from the last post, the focus this time is on introducing the Harmonic Major into a Major key before the change to Harmonic...
rbedwell3
Mar 30, 20241 min read
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Introducing the Harmonic Major II: After Harmonic minor
The Harmonic pair of scales are often combined in two ways: minor then Major or vice versa. The focus here is on the first. It is a very...
rbedwell3
Mar 30, 20241 min read
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Funky modes over funky chords II: Dom 7b5
There are 38 modes with seven notes that work well over the Dominant 7b5 chord (1 3 b5 b7) and with the addition of the Whole tone and...
rbedwell3
Mar 30, 20241 min read
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